Thursday, December 18, 2014

AMOS TUTUOLA – Quintessential African Writer



 
 

By Ishmael Mzwandile Soqaga

Ideally African literature is quite superlative for a number of reasons.  It is infelicitous that many libraries in Africa are not productively resourced to unfold this mammoth achievement.  Certainly it is hardly knotty to see some of the profoundly contribution of African authors in libraries; either in the urban or bucolic setting.  However it’s excitingly prodigious to appreciate the power of technology, in particular the internet which is fashionably indispensible to provide exquisite details about African literature.

Since its world recognition – African literature is burgeoning in a breathtaking way.  So many prolific writers in Africa are essentially committed in advancing fine creative literary work.  Countless books by superb writers can be found in many different parts of the world and others are also translated in a range of languages of the world.

Of course there are unsung literary catalysts and pioneers of African literature whose works are significantly transcendent.  Recently it becomes habitual that every time when African literature is mentioned readers would ignorantly think only about big names that are merely popular in African literary context.  Specifically; Africa has colossal number of authors – famous and infamous.  Another vexation about readers is when they ignominiously assume that for a book to be published it must necessarily be written in English or other European languages.

Sublime writers such as KP Maphalla who originally wrote his books in Sesotho, have influenced many fine writers in Africa.  Thomas Mofolo also contributed significantly in the world of letters.  His book Chaka which he wrote many decades ago still attracts the attention of many pundits and it also constitutes part of discussion and studies by scholars.  In fact Maphalla has been central to many writers like Pule Lechesa!  In Nigeria the charismatic Daniel O. Fagunwa played a very pivotal role in African literature, especially in promoting African indigenous literature.  In fact Daniel O. Fagunwa is one of the catalysts and pioneer of African indigenous literature in Africa.  His literary prowess which he illustrated with great zeal, definitely has hypnotized great number of African writers in Nigeria and in Africa too. 

Primarily, Amos Tutuola one of early hard-working,  prolific African writers was inspired by Fagunwa.  The sedulous Tutuola in his writings demonstrated a vivid understanding of the creative art of writing.  However, contrary to that in the academic point of view Amos Tutuola can be viewed in a different way.  Tentatively, the stereotypical academics inevitably wreaked havoc to literature.  Colonial stereotype among African intellectuals and academics convinced them to probably assume that literature is only the product of the academics - that those academics can produce fine creative work.  Unfortunately, although colonialism is defeated in Africa albeit, its legacy impacted abysmally among the academics.

I have been fascinated with O Bolaji one of Africa’s sons who continues to do excellently in literature.  He is an alumnus of the University of Obafemi Awolowo and a grassroots literary guru.  To give a succinct explanation – his books have formed a principal study among the scholars and the pundit.  Exhilarating books have been written about him too. But the point here is; Bolaji began to be fond of the world of letters when he was very young (toddler) before he could attend school.   Specifically, his Father the late Chief Eselby Bolaji who was a prolific writer too contributed immensely in his journey of literature.  Simply, the vigour and the passion that his Father had for books was very delectable and he was able to influence the children in the house.

Therefore, I believe it is absolutely unbecoming to suggest that authors need to receive certain training from school in order to become relevant authentic writers.  For instance, Amos Tutuola celebrated his first novel (Palm-wine Drinkard) which was actually published overseas many years before Achebe’s Things Fall Apart.  Tutuola was almost illiterate, yet he produced great literary works – one need not be highly educated before penning fine creative works/ books.  Job Mzamo the fantastic Free State (South Africa) based bard remains a veritable, pragmatic and exquisite writer who produced very superb poems in creative writing.  Like Tutuola, he only attended primary school but is a highly polished poet, with excellent diction and imagery.

Furthermore, Tutuola’s work has been highly acclaimed by both whites and African critics, including professors like Wole Soyinka.  He was a genuine African writer with inspiration from local folklore, traditions, superstitions etc.  Tutuola was a born story teller; hence he published about ten books in his lifetime, novels and short stories.

It is quite important for young African writers to start to read with enthusiasm about early writers like Tutuola.  Imperatively by reading and studying about such writers this will definitely add more understanding about early African writers.  The new writers will have an idea of pre – colonial situation, beliefs and ambience.  In fact the tragic reality is that only few young African writers now take inspiration from rural setting, villages, forests etc.

Unfortunately, the young generation today generally lacks stimulation, spirituality and introspection; and they are strongly inclined towards inane comments on social media.  One needs to be wary of such pernicious situation because if the situation continues it will eventually obliterate and cause great despair to African literature.   What price for new Amos Tutuolas to emerge in our modern era?         


Works by Amos Tutuola

The Palm-Wine Drinkard (1952)
 My Life in the Bush of Ghosts (1954)
 Simbi and the Satyr of the Dark Jungle (1955)
 The Brave African Huntress (1958)
 Feather Woman of the Jungle (1962)
 Ajaiyi and his Inherited Poverty (1967)
 The Witch-Herbalist of the Remote Town (1981)
 The Wild Hunter in the Bush of the Ghosts (1982)
 Yoruba Folktales (1986)
 Pauper, Brawler and Slanderer (1987)
 The Village Witch Doctor and Other Stories (1990)

Wednesday, December 17, 2014

PETER ABRAHAMS - What an inspiration!





By O Bolaji

Not far from becoming a centenarian now, the South African writer, Peter Abrahams in his pomp brilliantly inspired a generation of disparate African writers. 

On his own part, world class Kenyan writer, Ngugi wa Thiong'o would exhilaratingly point out that Abrahams' works fired his imagination as a young student, and made him feel that he could write too. It was the same for many other Africans all over the continent, including yours truly. 

I count myself very lucky to have been introduced to Peter Abrahams' early novel, Mine Boy, when I was still a kid at school in west Africa. The simplicity of the work was haunting, complemented by the very fine writing skills of the author.

It was only natural that as an impressionable youngster one would be prodded to try and get as many books of this particular author as possible - Tell Freedom, which was autobiographical, was easily available then, and another good read.

In respect of Mine Boy, the story of the metamorphosis of Xuma, the pertinent mine boy, from "strong simpleton" to a thinking gentleman and possible catalyst of change during apartheid is an unforgettable one.

One was forced to ponder dolefully: why couldn't all men be free and equal in this society? Why so many unfair crackdowns on the blacks by the powers that-be? Even Xuma's love affairs were frustrated and truncated by the state. His lovely "Eliza was gone..." - what pain for poor Xuma!

The impression one kept on getting from his works was that here was (Abrahams) a very decent man who just wanted to be treated as a human being and intermingle with others with facility.

Certainly in Tell Freedom, even in those days many decades ago in SA he was able to forge some friendships with some decent people across the colour bar; yet because of apartheid these people (say whites) could not even greet him in broad daylight in public! 

This broke the author's – and even such friends' - hearts - and further convinced Abrahams that he just had to get out of the country; which he managed to do...he wanted to be free!

Incidentally, this reminds one of Sindiwe Magona, the distinguished SA female black writer whose early life was made a misery too because of apartheid. As her works show, she wished she could be free too and mix with other races...it is with choked glee that she happily recalls hosting white friends and acquaintances when she later lived in America... "This is what apartheid denied us..."

Unlike Magona who began writing creatively around her 40s, Peter Abrahams started to do so as a youngster. He always wanted to write and he did so competently and convincingly. He drew the attention of countless people around the world to the despicable situation in South Africa, even as he has retired in Jamaica for decades now. But what an inspiration!!   


Works published by Peter Abrahams

Dark Testament (1942)
Song of the City (1945)
Mine Boy (1946)
The Path of Thunder (1948)
Wild Conquest (1950)
Return to Goli (1953)
Tell Freedom (1954)
A Wreath for Udomo (1956)
A Night of Their Own (1965)
This Island Now (1966)
The View from Coyaba (1985)
The Black Experience in the 20th Century: An Autobiography and Meditation (2000)

Thursday, November 6, 2014

Ayi Kwei Armah's THE RESOLUTIONARIES (2013)





"As a professional interpreter, Nefert works at conferences where Africa's rulers meet not to solve the continent's problems, but to resolve to beg for solutions from past and present masters. ... [She] gets drawn into a circle of highly skilled friends looking, like her, for a key to an African future. Her spirit lifts as the group's research uncovers an ancient way of knowledge and creative work, long suppressed during the centuries of foreign oppression ..."

ALI MAZRUI (1933 - 2014)






South African Minister Mthethwa on the passing of World Renowned African Scholar, Ali Mazrui:

“It is with sadness that we have learned of the passing on world renowned and
leading African academic, scholar, writer, intellectual and, above all, critical thinker Ali Mazrui who died at 81 following illness.

Professor Mazrui was one of the most authentic, brilliant, wise and analytical voice to emerge from the African continent in the post-colonial period. The debate and discourse on the African condition and its fate following independence and freedom would be incomplete without him.

As scholar, intellectual, critical thinker and intellectual Ali Mazrui has, over half-a-century, build a solid reputation as one of the most insightful and eloquent voices in the African continent and global scene on the meaning of independence and freedom.

But it was his special attention to the power of culture that Professor Mazrui challenged and transformed the domination of politico-military perspective in world affairs to turn to culture.

He first ignited the South African nation to think about the complex issue of national identity and fusion of Western and African heritage in the continent through his television series, The Africans in the late 1980s that provoked a lot of discussion and debate in the country.

The subject matter of his writings ranged from politics, sociology, philosophy, languages, literature, history, heritage, religion, spirituality and demanded that people from all walks of life participate and contribute to discourse and dialogue.

He never hesitated to promote Pan-Africanist insight and perspective to
inspire self-worth and pride among indigenous people of the continent. He
was bold in his articulation of the thought and view that Africans must draw
inspiration from their own indigenous knowledge systems, languages, history
and culture to reclaim and assert their role and position in global affairs.

Significantly, in his illuminating and compelling writings of over 20 books - including Cultural Forces in World Politics - and countless speaking engagements he remained an African scholar and intellectual who chose sides to be among his people in the battle against the legacy of colonialism.

Indeed, Ali Mazrui was a unique scholar and intellectual in post-colonial African politics, more in the mold of revolutionary modernizer of globalization than embracing developments without critical thoughts.

He was unwavering in his commitment to use his scholarship, knowledge and
insights for the development of Africa and her people.

Indeed, we offer our condolences to his family, the academic fraternity and all critical thinkers who derive their inspiration from towering African thinker and philosopher.

His spirit will live among us as we move forward with the African Agenda
2063…”


Publications:

  • 2008: Islam in Africa's Experience [editor: Ali Mazrui, Patrick Dikirr, Robert Ostergard Jr., Michael Toler and Paul Macharia] (New Delhi: Sterling Paperbacks).
  • 2008: Euro-Jews and Afro-Arabs: The Great Semitic Divergence in History [editor: Seifudein Adem], (Washington DC: University of America Press).
  • 2008: The Politics of War and Culture of Violence [editor: Seifudein Adem and Abdul Bemath], (New Jersey: Africa world Press).
  • 2008: Globalization and Civilization: Are they Forces in Conflict? [editor: Ali Mazrui, Patrick Dikirr, Shalahudin Kafrawi], (New York: Global Academic Publications).
  • 2006: A Tale of two Africas: Nigeria and South Africa as contrasting Visions [editor: James N. Karioki] (London: Adonis & Abbey).
  • 2006: Islam: Between Globalization & Counter-Terrorism [editors: Shalahudin Kafrawi, Alamin M. Mazrui and Ruzima Sebuharara] (Trenton, NJ and Asmara, Eritrea: Africa World Press).
  • 2004: The African Predicament and the American Experience: a Tale of two Edens (Westport, CT and London: Praeger).
  • 2004: Almin M. Mazrui and Willy M. Mutunga (eds). Race, Gender, and Culture Conflict: Mazrui and His Critics (Trenton, New Jersey: African World Press).
  • 2003: Almin M. Mazrui and Willy M. Mutunga (eds). Governance and Leadership:Debating the African Condition (Trenton, New Jersey: African World Press).
  • 2002: Black Reparations in the era of Globalization [with Alamin Mazrui] (Binghamton: The Institute of Global Cultural Studies).
  • 2002: The Titan of Tanzania: Julius K. Nyerere's Legacy (Binghamton: The Institute of Global Cultural Studies).
  • 2002: Africa and other Civilizations: Conquest and Counter-Conquest, The Collected Essays of Ali A. Mazrui, Vol. 2 [series editor: Toyin Falola; editors: Ricardo Rene Laremont & Fouad Kalouche] (Trenton, NJ and Asmara, Eritrea: Africa World Press)
  • 2002: Africanity Redefined, The Collected Essays of Ali A. Mazrui, Vol. 1 [Series Editor: Toyin Falola; Editors: Ricardo Rene Laremont & Tracia Leacock Seghatolislami] (Trenton, NJ, and Asmara,Eritrea: Africa World Press).
  • 1999: Political Culture of Language: Swahili, Society and the State [with Alamin M. Mazrui] (Binghamton: The Institute of Global Cultural Studies).
  • 1999: The African Diaspora: African Origins and New World Identities [co-editors Isidore Okpewho and Carole Boyce Davies] 
  • 1998: The Power of Babel: Language and Governance in the African Experience [with Alamin M. Mazrui] 
  • 1995: Swahili, State and Society: The Political Economy of an African Language [with Alamin M. Mazrui] (Nairobi: East African Educational Publishers).
  • 1993: Africa since 1935: VOL. VIII of  UNESCO General History of Africa [editor; asst. ed. C. Wondji] 1993).
  • 1990: Cultural Forces in World Politics (London and Portsmouth, N.H: James Currey and Heinemann).
  • 1986: The Africans: A Triple Heritage (New York: Little Brown and Co., and London: BBC).
  • 1986: The Africans: A Reader Senior Editor [with T.K. Levine] (New York: Praeger).
  • 1984: Nationalism and New States in Africa: From about 1935 to the Present [with Michael Tidy] (Heinemann Educational Books, London).
  • 1980: The African Condition: A Political Diagnosis [The Reith Lectures] (London, Heinemann Educational Books and New York, Cambridge University Press).
  • 1978: The Warrior Tradition in Modern Africa [editor] 
  • 1978: Political Values and the Educated Class in Africa (London: Heinemann Educational Books and Berkeley, CA: University of California Press).
  • 1977: State of the Globe Report, 1977 (edited and co-authored for World Order Models Project)
  • 1977: Africa's International Relations: The Diplomacy of Dependency and Change (London: Heinemann Educational Books and Boulder: Westview Press).
  • 1976: A World Federation of Cultures: An African Perspective (New York: Free Press).
  • 1975: Soldiers and Kinsmen in Uganda: The Making of a Military Ethnocracy (Beverly Hills: Sage Publication and London).
  • 1975: The Political Sociology of the English Language: An African Perspective: (The Hague: Mouton Co.).
  • 1973: World Culture and the Black Experience (Seattle).
  • 1973: Africa in World Affairs: The Next Thirty Years [co-edited with Hasu Patel] (New York and London: The Third Press).
  • 1971: The Trial of Christopher Okigbo [novel] (London: Heinemann Educational Books and New York: The Third Press).
  • 1971: Cultural Engineering and Nation-Building in East Africa (Evanston, Illinois).
  • 1970: Protest and Power in Black Africa [co-edited with Robert I. Rotberg] 
  • 1969: Violence and Thought: Essays on Social Tentions in Africa (London and Harlow: Longman).
  • 1967: Towards a Pax Africana: A Study of Ideology and Ambition (London: Weidenfeld and Nicholson, and University of Chicago Press).
  • 1967: On Heroes and Uhuru-Worship: Essays on Independent Africa (London: Longman).
  • 1967: The Anglo-African Commonwealth: Political Friction and Cultural Fusion (Oxford: Pergamon Press).