FASCINATING LITERARY GALLERY ATTRACTS TOURISTS

FASCINATING LITERARY GALLERY ATTRACTS TOURISTS

By Flaxman Qoopane

Tourists attended in large numbers the Qoopane Literary Gallery exhibited at Tsa Setso Arts and Craft 2010 Soccer World Cup South Africa, held at the Mangaung Information Centre in Bloemfontein from 10 June- 11 July 2010

Tsa Setso Arts and Craft 2010 soccer World Cup South Africa was presented by the Department of Sports, Arts and Culture and Recreation in the Free State province and is supported by the Department of Arts and Culture Republic of South Africa

Flaxman Qoopane is the curator of the Qoopane Literary Gallery who exhibited one hundred photos of South African, Nigerian, Zimbabwean, and Malawian writers and their profiles. He has also added new exciting writers like Hector Kunene and Skietreker Seape to the Gallery.

James Agori, journalist of This day Nigeria, together with Jones Bamidele from News Agency of Nigeria (NAN) and John Ebhota from The Nation newspaper in Nigeria visited the exhibition. “It is one of the best sources of literature in Africa that researchers can benefit a lot from it” said James Agori

Kgomotso Sekhabi, from the Department of Arts and Culture in Pretoria said: “A wonderful initiative that will really need to be supported as it promotes South African writers that have made a tremendous contribution to the literature of South Africa. Keep up the wonderful work, Mr Qoopane”

Jorge Arellana Lavanderos from Chile said: “This is a good development in preserving literature. It will be good for Chilean writers. South African writers can exchange experiences and do cultural exchanges in their works,”

Ing Milin Kamuscak from Bratislava, said: “This is the greatest collection of African writers I’m seeing for the first time in my life, I learnt a lot about literature in Mandela’s country birth”

“I am very excited that the Department of Sports, Arts and Culture and Recreation has given me an opportunity to showcase my gallery during the 2010 soccer World Cup. So far, my exhibition attracted tourists from Chile, Italy, Korea, Nigeria etc and we exchanged contact. I urge other tourists to visit Mangaung information centre” said Qoopane

Mangaung – Bloemfontein
South Africa
Cell: 073 565 7783
Email: qoopaneliterary@yahoo.com

BREAKDOWN OF 70 OF THE WRITERS FEATURED IN QOOPANE’S AWESOME GALLERY

1. WOLE SOYINKA
2. FLAXMAN QOOPANE
3. PULE LECHESA
4. KDP MAPHALLA
5. LETSHASE NAKELI
6. JIM MOKOENA
7. ANDRE BRINK
8. PROF LEWIS NKOSI
9. NADINE GORDIMER
10. PETER ABRAHAMS
11. LAURETTA NGCOBO
12. PROF PITIKA NTULI
13. DR. GOMOLEMO MOKAE
14. SABATA MPHO MOKAE
15. ERIC MIYENI
16. K.SELLO DUIKER
17. FRED KHUMALO
18. KAREL SCHOEMAN
19. PROF KEORAPETSE KGOSITSILE
20. LEBOGANG MASHILE
21. NAPO MASHEANE
22. NTSIKI MAZWAI
23. MPUTLANE OA BOFELO
24. NAPE’A MOTANA
25. LETLAPA MPHAHLELE
26. PROF MBULELO MZAMANE
27. DON MATTERA
28. KGAFELA OA MAGOGODI
29. FRED BILA
30. LESEGO RAMPOLOKENG
31. GCINA MHLOPHE
32. CHINUA ACHEBE
33. DAMBUDZO MARECHERA
34. SIPHO SIPAMLA
35. CHRIS VAN WYK
36. JESSICA MBANGENI
37. K.E. SELEBANO
38. DBZ NTULI
39. SUZAN SEFATSA
40. WINSTON MOHAPI
41. INGOAPELE MADINGOANE
42. MATSEMELA MANAKE
43. LEFIFI TLADI
44. SANDILE DIKENI
45. SINDIWE MAGONA
46. OMOSEYE BOLAJI
47. PROF ESKIA MPHAHLELE
48. BESSIE HEAD
49. JAMES MATTHEWS
50. MIRRIAM TLADI
51. MONGANE SEROTE
52. DR. ZAKES MDA
53. ANTJIE KROG
54. JACK MAPANJE
55. KEN SARO WIWA
56. ELLEN KHUZWAYO
57. PHASWANE MPE
58. TOEK BLIGNANT
59. JOHN MATSHIKIZA
60. TODD MATSHIKIZA
61. CAN THEMBA
62. NAT NAKASA
63. MYESHA JENKINS
64. MAKAAMOLE MANAKA
65. KOLE OMOTOSO
66. CREDO MUTWA
67. ZOLANI MKIVA
68. MATHEWS PHOSA
69. DR. J.J. MOILOA
70. MARIETA VAN ASWEGEN

YOUNG BLOOD

Book review: Young Blood
July 15, 2010

By Tshepo Tshabalala

Young Blood

By Sifiso Mzobe (Kwela Books, R175)

Mazobe's work is inspirational. He is prone to a few jagged transitions, but the story is something the South African movie industry should take thorough note of.

It tells the story of Sipho, 17, who lives in Umlazi, Durban. After doing dismally at school, he drops out to help his father fix cars at home.

Soon his shrewd friend Musa returns from Joburg after applying his intelligence to shoplifting, which progressed to carjacking, eventually earning him a stint in jail. When local carjackers learn of Sipho's skill behind the wheel and under the bonnet, they want to recruit his services. Musa decides against the idea of Sipho running around with untrustworthy cliques, and hooks him up with a few projects he is overseeing.

Sipho tastes the life of quick money and soon grows a hunger for it. He joins in the 'jacking and dissembling of cars, making easy money. But the game becomes more dangerous, leading to drugs, problems with the cops and a trail of death.


The novel explores the materialism around relationships that pressurises especially the male youth into finding means of making cash to avoid segregation. It is about the sacrifices one is willing to make to fit in, and the conflict of working towards a better life, even in a manner that is destructive. It takes you into the underground world of hijackers, money-lovers and misers. It is a breath of fresh air.

The writing is rough, but clever. The story pulsates with energy that makes it intense and very real. It is a voice that tells about crime and how it speaks to the youth through poverty. The read is a thrilling, action-packed diamond in the rough. -- Tshepo Tshabalala

* Courtesy of TONIGHT

DEEPEST SPRINGS - utterly satisfying

(Above) NMM Duman

By OMOSEYE BOLAJI

Reading NMM Duman’s Deepest Springs is a veritable excitement, a highlight in the life of an authentic black African who cherishes and relishes good writing, poignant plots and descriptions; brilliant writing in general. In sum, I have no doubt in my mind that this work is one of the most breath-taking and satisfying in the pantheon of African literature.

Indeed, the danger in a case like this is that the reviewer or critic of a superb, imaginative work like Deepest Springs can go overboard with superlatives, praising a work to high heavens. Yet the “critic” must do his/her job in a conscionable manner. Though in the case of Deepest Springs, it is obvious that Duman is a tough critic herself (self-critical) who has taken time to ensure that the final product, her book, is outstanding. As all time great TS Eliot tells us:

“The larger part of the labour of an author in composing his work is critical labour; the labour of sifting, combining, constructing, expunging, correcting, testing: this frightful toil is as much critical as creative”

Yes Deepest Springs bears comparison to the best of African writing – whether it be the novels of Buchi Emecheta or Flora Nwapa or Miriam Tlali or Tsitsi Dangaremgba (the all time greats of female African writing). But it goes beyond this – I have no hesitation whatsoever in comparing this work to English classics like those written and still revered, by the Bronte sisters for example (Charlotte and Emily Bronte)

Indeed the "sexual passion" that runs through Duman’s work echoes and adumbrates the best of English works like Jane Eyre (by Charlotte Bronte) and Wuthering Heights (by Emily Bronte). The fact that, effortlessly author Duman gives her own great story an African background, with excellent Sesotho (African) references; not to talk of Afrikaans is a thing of unbridled joy. And celebration.

Of course in those days – over 200 years ago or so- the Bronte sisters could not write specifically about sex despite the smouldering, powerful emotions in their work. The world has moved on, hence in Deepest Springs there are references to sex, decently couched – whether it be the deflowering of our protagonist Dikeledi; or making love in the bathroom (whilst washing) or in the bush/forest.

African literature has thrown up memorable female characters, including a gallery of women of ill-repute. For example this classical extract from Wole Soyinka’s Season of Anomy:

“We must acknowledge the fact that (women) are the familiar vanguard of the army of change. When the moment arrives a woman like Iriyise becomes for the people a Chantal, a Deborah, torch and standard-bearer, super mistress of universal insurgence. To abandon such a potential weapon in any struggle is to admit to a lack of foresight. Or imagination”

Dikeledi is a fine young lady compounded of the variegated emotions of our world, and who is very much in love with her man, despite vicissitudes. She can also be self-sacrificing and stoical as in the case where she remains philosophical and reticent about the abuse (beating) she had earlier received.

The hypocrisy of certain traditional beliefs is also evident in this work and it is also a mark of an excellent writer (Duman) that she does not take sides (as a woman)directly. A good example is when they refer to Dikeledi as a “slut” just because she allows her aroused lover to sleep with her before the formal wedding. She was a virgin even then, so why should she be condemned?

That Duman is a polished, creative writer can also be seen from the many occasions when she enters “the mind” of male characters with great conviction (although of course the author is a woman). Like in the case when Dikeledi’s lover after making love muses over why he was behaving like a naïve, uncircumcised nerd! Such strokes clearly show that the author is a master of her craft!

I can go on and on, but a reviewer (or a critic) is supposed to open doors as it were, give glimpses into a pertinent work which would encourage others to read such a work and bask in its excellence. I am very happy to recommend this outstanding work to all readers from around the world…

(Omoseye Bolaji is the author of over 20 books. His awards for writing include a Lifetime Achievement Award, the Chancellor’s Medal from the University of the Free State, and an African Chieftaincy title)