DEEPEST SPRINGS - utterly satisfying

(Above) NMM Duman

By OMOSEYE BOLAJI

Reading NMM Duman’s Deepest Springs is a veritable excitement, a highlight in the life of an authentic black African who cherishes and relishes good writing, poignant plots and descriptions; brilliant writing in general. In sum, I have no doubt in my mind that this work is one of the most breath-taking and satisfying in the pantheon of African literature.

Indeed, the danger in a case like this is that the reviewer or critic of a superb, imaginative work like Deepest Springs can go overboard with superlatives, praising a work to high heavens. Yet the “critic” must do his/her job in a conscionable manner. Though in the case of Deepest Springs, it is obvious that Duman is a tough critic herself (self-critical) who has taken time to ensure that the final product, her book, is outstanding. As all time great TS Eliot tells us:

“The larger part of the labour of an author in composing his work is critical labour; the labour of sifting, combining, constructing, expunging, correcting, testing: this frightful toil is as much critical as creative”

Yes Deepest Springs bears comparison to the best of African writing – whether it be the novels of Buchi Emecheta or Flora Nwapa or Miriam Tlali or Tsitsi Dangaremgba (the all time greats of female African writing). But it goes beyond this – I have no hesitation whatsoever in comparing this work to English classics like those written and still revered, by the Bronte sisters for example (Charlotte and Emily Bronte)

Indeed the "sexual passion" that runs through Duman’s work echoes and adumbrates the best of English works like Jane Eyre (by Charlotte Bronte) and Wuthering Heights (by Emily Bronte). The fact that, effortlessly author Duman gives her own great story an African background, with excellent Sesotho (African) references; not to talk of Afrikaans is a thing of unbridled joy. And celebration.

Of course in those days – over 200 years ago or so- the Bronte sisters could not write specifically about sex despite the smouldering, powerful emotions in their work. The world has moved on, hence in Deepest Springs there are references to sex, decently couched – whether it be the deflowering of our protagonist Dikeledi; or making love in the bathroom (whilst washing) or in the bush/forest.

African literature has thrown up memorable female characters, including a gallery of women of ill-repute. For example this classical extract from Wole Soyinka’s Season of Anomy:

“We must acknowledge the fact that (women) are the familiar vanguard of the army of change. When the moment arrives a woman like Iriyise becomes for the people a Chantal, a Deborah, torch and standard-bearer, super mistress of universal insurgence. To abandon such a potential weapon in any struggle is to admit to a lack of foresight. Or imagination”

Dikeledi is a fine young lady compounded of the variegated emotions of our world, and who is very much in love with her man, despite vicissitudes. She can also be self-sacrificing and stoical as in the case where she remains philosophical and reticent about the abuse (beating) she had earlier received.

The hypocrisy of certain traditional beliefs is also evident in this work and it is also a mark of an excellent writer (Duman) that she does not take sides (as a woman)directly. A good example is when they refer to Dikeledi as a “slut” just because she allows her aroused lover to sleep with her before the formal wedding. She was a virgin even then, so why should she be condemned?

That Duman is a polished, creative writer can also be seen from the many occasions when she enters “the mind” of male characters with great conviction (although of course the author is a woman). Like in the case when Dikeledi’s lover after making love muses over why he was behaving like a naïve, uncircumcised nerd! Such strokes clearly show that the author is a master of her craft!

I can go on and on, but a reviewer (or a critic) is supposed to open doors as it were, give glimpses into a pertinent work which would encourage others to read such a work and bask in its excellence. I am very happy to recommend this outstanding work to all readers from around the world…

(Omoseye Bolaji is the author of over 20 books. His awards for writing include a Lifetime Achievement Award, the Chancellor’s Medal from the University of the Free State, and an African Chieftaincy title)