Wednesday, May 22, 2013

MAXWELL PERKINS KANEMANYANGA'S THIRD BOOK


Book: Chapindapasi
Author: Maxwell Perkins Kanemanyanga
Publisher: Eselby Jnr Publications
Isbn: 978-0-620-56897-5






“Maxwell Perkins Kanemanyanga is a young Zimbabwean writer based in the Free State, South Africa. He is the author of two prior anthologies of short stories, Enemy of the State (2009) and How do I talk about my Ordeal? (2010) Kanemanyanga’s fulsome essays and fiction are redolent with visionary, therapeutic exhortations. He was one of the writers interviewed in the international work, Interviews with Effervescent Writers (2012) edited by Christine Mautjana” -  (from the book’s blurb)

Stories included here

Talking Bones

Chapindapasi

Unbridled erotic adventure turns sour!

Love and betrayal

Flames of fury












Monday, May 13, 2013

GRACE OGOT'S NEW BOOK



Grace Akinyi Ogot is woman who has powerfully influenced East Africa’s literary narrative and played a public role not only in medicine and community development but also in parliamentary politics.
She and her husband, Prof Bethwell Allan Ogot, have not only brought up a brilliant family, but also stood by each other to foster creative and scholarly writing in the region.
All the people who remember the sterling role of the East Africa Journal and its literary supplement which ran for decades as a publication of East African Publishing remember the debates that characterised that publication.

They will remember the well-documented polemics raised by the likes of Okot p’Bitek, Taban lo Liyong and Ngugi wa Thiong’o. Grace Ogot’s own short story,Island of Tears, which followed the tragic demise of Thomas Joseph Mboya, was published in one of the issues of the journal.

Grace Ogot has now published the story of her life, Days of My Life: An Autobiography.
Anyange Press Limited, based in Kisumu published the 325-page book which traces Ogot’s family tree to Joseph Nyanduga, the mission boy who grew up in Nyanza, and after being orphaned sought his fortune in Mombasa where he was a locomotive driver, and Rahel Ogori, a mission girl.
Nyanduga and Ogori were Christian converts and evangelists who defied traditional mores and traditions to chart out their lives and the lives of their children.
There is a way in which the couple sacrificed a lot to deny themselves a working life in Mombasa to promote Christianity in Nyanza. It is apparent in this story that when African cultures went against the practical existence of the couple, they defied them and went on with their lives as they thought best.
There are, however, instances where Christianity threatened their existence. In a manner of speaking , they modified conservative aspects of Christianity and went on with their lives.
Perhaps the best examples of their existential choices are in the manner in which Joseph Nyanduga built his own home as a newly-married man, away from his parents. The procedure of establishing one’s “dala” or home away from one’s parents according to the Luo culture is explained in Grace Ogot’s novel, The Promised Land (1966).
Nyanduga, however, goes against the grain, acquires an education, travels to Mombasa where he is employed and when he feels the urge to evangelize among his people, he cut short his career and returned to his Nyanza home.
Days of My Life is a well-told story by one of Africa’s internationally acclaimed prose writers; it places the author in a unique position as far as the recent spate of autobiographies by erstwhile and practicing politicians in this country is concerned.
It is the story of a woman who rises from the humble background of missionary life to soar high in the ranks of hospital nurses in Kenya, Uganda and the United Kingdom.
She goes against all the odds of racial prejudice among the colonial minority who did not expect Africans to excel in medicine, and treats fellow Africans who are patients in her hands as respectable creatures, against all the brutal practices where white health workers discriminated against their African patients.
After acquiring the best training in England she returned to Kenya to work at the Maseno Mission Hospital and also the Mulago Hospital in Kampala. She was appointed Principal of a Homecraft Training Centre, became a councillor, a church leader, a business woman and leading politician in the Moi era.
The book delves into the author’s education in colonial Kenya, revealing her leadership qualities, her moral values and her ability to learn new languages. But perhaps the most instructive thing about the book is the strength of the love between Grace and the man she married.
Throughout the account is the sobriety of their relationship and the way it informed her career development and her writing. Their marriage was preceded by a protracted courtship period and an exchange of lengthy love letters.
She had come from a background of a strong story-telling tradition which merged with her husband’s interest in oral history. He was then researching the history of the southern Luo, drawing heavily from oral traditions.
He readily appreciated her skill as a writer and pointed out the poetry in her letters to him. As the editor of Ghala, the literary supplement of the East Africa Journal, he became one of the early East African intellectuals to encourage her output as a writer.

Mrs Ogot comments generously on her parents, relatives , members of the protestant church to which she belongs, her siblings and her fellow writers and literary intellectuals. There are stylistic flaws and errors of fact, dates and even information on people, events and places in the book.
Per Wastberg, the current chairman of the Nobel Committee for Literature is a man. He has done a lot of work for African literature in Europe and Africa. But Grace Ogot writes: “In March 1961, I received a letter from a Swedish lady – a Miss Per Wastberg – author and journalist.
She was on a tour of East Africa. In her letter, she told me that she was editing an anthology of African writing for publication in Sweden later that year. She had failed to discover any authors in East Africa.
“Eighteen countries in Africa would be represented in her book. She had heard from several people at Makerere University College, including Gerald Moore (a literary critic).”
The book is courageous and strong on politics and public administration of Nyanza Province and the entire country during the Nyayo era. It gives background information on assassinations of politicians from Nyanza and some of the people she replaced in her constituency.
She gives accounts of how she and her husband went through a lot of pain to have access to President Moi to organize fund-raisers to develop her constituency.
The book, however, shows how she let down writers and thespians as assistant minister for Culture and Social Services. She never worked to improve the working climate of the Kenya Cultural Centre in general and the Kenya National Theatre in particular.
* The author of this piece, Prof Wanjala, is a literary scholar and critic and author of A Season of Harvest among other works. First published in Business Daily Africa)

Tuesday, May 7, 2013

SOQAGA'S SECOND BOOK

Book: Promoting Quintessential African Writing (2013)
Author: Ishmael Mzwandile Soqaga

Isbn: 978-0-620-56898-2





"this is an excellent introduction to the corpus of writing churned
out by black africans over the centuries, including the prolific
authors who now dot the continent in recent times. this is a work that
instils pride and satisfaction into every african who has perhaps
pondered the crucial question: as to what the people and the continent
have contributed to global arts and culture in world history?

the author, ishmael mzwandile soqaga is an essayist, author,
pan-africanist and sports enthusiast based in mangaung, free state,
south africa. this is his second book..."

contents:

introduction – by iSHMAEL soqaga

chapter one: early african writers

chapter two: knowledge in africa (africa’s centres of learning)

chapter three: extraordinary literacy in africa (post colonial african
literature)

chapter four: case studies of five outstanding african writers
prolific African writers




PAUL LOTHANE has since written the following review of this book:

“Earlier in this work, I expressed indignation at the unfairness that prevails in the world of literature; an African writer or critic on his own part would have to read and study hundreds or even thousands of Eurocentric literature before being given any sort of recognition, but alas the converse is not true – a great Eurocentric writer like Saul Bellow (as we have seen) might know virtually nothing about the countless African books published, and even be proud of this fact!”

Thus writes Ishmael Mzwandile Soqaga in his new book, Promoting Quintessential African Writing. Going through this work reveals that the statement above informed the author in not only doing his research for the book, but also unearthing some fascinating facts about “African literacy and writing” over the centuries. Of course in modern times many African writers from all the continent’s countries have published hundreds of books; thousands actually.

And this is where Soqaga comes into his own element. It is clear that he appreciates the world of literacy and creativity, and he is utterly impressed with the fact that the African continent has produced so many fine writers and countless books too. The lesson for Africans here is that whilst they continue to “worship” Eurocentric authors, they must remember that Africa has many outstanding writers too.

Soqaga singles out “five case studies of outstanding African writers” – Chinua Achebe, Armah, Wole Soyinka, Es’kia Mphahlele and Ngugi. It is an illustrious list, but this might itself spark controversy. The problem is that there are many other outstanding African writers over the decades – for example Zakes Mda and Ben Okri are also among the all-time greats. And what about Nobel Winner Naguib Mahfouz?

There appears to be a general trend among lovers of books, writing, literature, who happen to be Africans. Talk to most of them about their favourite authors and books, and one can be certain they will invariably reel out Eurocentric authors and their books. Many of them will go into raptures over the “classics” without even realizing that there are scores of African classics too.

Come to think of it, it IS shameful that so many of us who claim to love books hardly know anything about African authors and their work. The majority will probably know about Achebe and Ngugi, but will they know more than a couple or so of books they have published? Remember even Achebe and Ngugi between them have published almost 100 books! How much more any knowledge about the many other fine writers Soqaga introduces in his book?


Such prolific African writers Soqaga mentions in his book (including titles of many of their books) include Naguib Mahfouz, Ngugi wa Thiongo Wole Soyinka, Ayi Kwei Armah, Taban Lo Liyong, Kole Omotosho, Meja Mwangi, Buchi Emecheta, Ama A. Aidoo, O. Bolaji, David G Maillu (who has published some 60 books!), Cyprian Ekwensi among others.